MISERABLE- Risk Assessment

-
HAZARD 
WHO IS AT RISK? 
CONTROLS 
SEVERITY OF INJURY 
CHANCE OF INJURY 
RISK 
ADDITIONAL CONTROL MEASURES 
Unstable set- filming in a half complete house extension 
All crew 
Extension being built by professionals, who are aware people are using the space and have ensured it is secure for use. 
Minor- Serious (Depending on what happens) 
Very low 
Low 
All crew informed and told to be aware and act with caution. 
BB Guns used, somebody could be shot 
All Crew 
The BB guns are low powered and will be unloaded to completely remove any risk. 
Very minor 
Very low 
Very low 
All actors using them told to check before each shot the guns are empty.  
Trip hazard 
All Crew 
Ensure the acting area is clear, keep loose objects to the side. 
Minor 
Low 
Low 
All crew made aware of the location of possible trip hazards. 
 

Comments

Post a Comment

Popular posts from this blog

Inspiration for Blue

-
Image
As I am very passionate about the script for Blue I wanted to look through some of my inspirations. First and foremost is Submarine by Richard Ayoade. The film focuses on Oliver Tate, a boy who obsesses over a girl at his school Jordana. As the story progresses the two form an uneasy relationship consisting of visiting cold British beaches, industrial estates and a lot of pyromania. Oliver is a self-absorbed character with much of the film focusing on his thoughts and concerns, with some internal sequences where he is seen in a black void talking directly to the camera, and a section where he lays on a bed which is eventually imposed over an endless sea. Much of the imagery is to do with the sea, and the visuals are incredibly 'blue' and overcast reflecting the British setting. It is easy to draw comparison between my script and Submarine. Second being a strange influence, but a large one none-the-less. Jaden Smith's SYRE is an incredibly reflective album looking ba...
Read more

Work on Dialogue in film

-
The rules of dialogue (From 'The Art and Science of Screenwriting' by Phil Parker- It has clear dramatic function (eg. advances the story, reveals character) It relates to the visual aspect of the moment It is character specific It is economical (short and to the point) It reflects the style of the narrative It delivers only what the action and visuals cannot It is speech, not prose After looking at these rules, we analysed extracts from various film scripts such as 'The Full Monty', 'Good Will Hunting' and 'Fargo'. My group focused on the 'Fargo' extract, seeing how the dialogue between Marge and Norm presented their marriage and the state of their relationship. We see it is stale, and had gone on so long that here is no sense of ego or need to entertain one another. They simply exist around one another, with no pressure on their relations. The conversation focuses on Norm's painting rather than the baby or Marge's current poli...
Read more

The Fly by Olly Williams

-
https://www.bing.com/videos/search?q=the+fly+short+film&view=detail&mid=A0C812280605FED6DDE2A0C812280605FED6DDE2&FORM=VIRE After viewing 'The Fly' twice, I overall like the film a lot. It delivers a fast and frantic story, as well as a relatively engaging protagonist and an entertaining structure. The film is solely set in the car of the driver (played by Jack Doolan), parked at the exterior of a bank his follow heist-members are robbing. The scenes are constantly cross-cut, between the hilarity of the drivers encounter with the fly and the panic inside the bank, only heard through muffled shouts coming form inside. We do not see the robbery, and by doing as such the film creates a comic tone while staying on a small budget and not having to choreograph an entire heist sequence. The camera work is mostly steady, maintaining a fairly regular medium shot and uses shots form the exterior of the car when the driver freaks out to show how small the issue truly is and ...
Read more